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Long-nosed and Saracen-like, the Callot masks be,
none of the classic Commedia dell'Arte masks, save in Jacomo Callot's decree.
in many French entrées and ballets of the 17th century,
Satirical representatives of the Ottoman Empire appeared with glee.
They served as a vent for the fears held in captivity,
Of this mighty power threatening Europe's serenity.
Half-masks with noses long and curved, in Baroque style,
And the Balli di Sfessania by Jacomo Callot, versatile.